the most important photograph i've ever taken
11.09.07 | portraits
in light of some creative reflection, i've dug
back into the archives.... and i'm talking about
15 years in the archives of some of my earliest,
showable work. ricker winsor, my
high school art teacher and photo
inspiration at charles
wright academy, has been an inspiration
to me. ricker lead me to think differently
about photography through experimentation
and through learning to embrace the 'happy
mistake.' the origin of these creative
moments is usually at the will of a frantic
moment, mixed with the dash of creativity,
and a twist of the will of GOD. this image
was my first simultaneous collision of
'perfect creative moment' while completing a
self-portrait assignment.
the 'mistake' was a double exposure at the end of a roll of 36 using my father's honeywell pentax slr which later became my first 'real' camera (the fisher price one doesn't count). the shutter exposed more than a frame and a half of 35mm t-max film. the double exposure was actually longer than 35mm wide in length, giving the appearance of a panoramic image. while the image certainly isn't pulitzer prize winning material, it was an important lesson which continues to inform my creative conscious.
i did not realize the importance of this image to me until about 3 years ago, when i started to get paid for my photographic creativity and began looking back at earlier work. i kept this image at the forefront of my mind during my college photography experiences, during personal work on travels, and shooting for profit at events. i realized 'happy mistakes' should supplement the creative consciousness. technically, 'creative mistakes' may be deemed by a seasoned professional as "amateurism". but here is where it gets better: rules are meant to be broken, and it is often those 'happy mistakes' which leads to a new discovery. following along with creativity, i've been able to produce some of my most original work. most often it is not the camera, or even the lens that contributed to the creative discovery, but the courage to create.
the 'mistake' was a double exposure at the end of a roll of 36 using my father's honeywell pentax slr which later became my first 'real' camera (the fisher price one doesn't count). the shutter exposed more than a frame and a half of 35mm t-max film. the double exposure was actually longer than 35mm wide in length, giving the appearance of a panoramic image. while the image certainly isn't pulitzer prize winning material, it was an important lesson which continues to inform my creative conscious.
i did not realize the importance of this image to me until about 3 years ago, when i started to get paid for my photographic creativity and began looking back at earlier work. i kept this image at the forefront of my mind during my college photography experiences, during personal work on travels, and shooting for profit at events. i realized 'happy mistakes' should supplement the creative consciousness. technically, 'creative mistakes' may be deemed by a seasoned professional as "amateurism". but here is where it gets better: rules are meant to be broken, and it is often those 'happy mistakes' which leads to a new discovery. following along with creativity, i've been able to produce some of my most original work. most often it is not the camera, or even the lens that contributed to the creative discovery, but the courage to create.